Bio
I began my journey as a photographer the same way many of my peers did: a camera passed down or gifted. Something not terribly expensive but with good glass and simple operations. Mine was a Yashica-MAT 124G, during one of its final years in production. It was an oddball relic even at the time since almost everyone else I knew had already become acquainted with 35mm. But I was—and continue to be—rebellious.
My cameras are an extension to me, my inner dialog brought to the fore. I compose when I shoot. It’s a fast-moving world, but it is through my constant pursuit of photographic exceptionalism that I’m able to see the details, the story, and the drama of the stillness between stoplights. I’ll always shoot, and most of the pictures are not going to be that good, but the ones that get through will hopefully transcend to a photograph.
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