Bio
I am a multidisciplinary visual artist whose practice is shaped by a lifelong curiosity for both art and science. My creative journey began with painting, but gradually expanded into installation and sculpture—immersive, tactile forms that allow me to explore light, memory, and transformation through intuitive processes and playful materials.
Before fully committing to art, I studied architecture for a year, delving into design and structural concepts. That experience sparked a desire to travel and witness the buildings I had admired from afar. A pivotal moment came in Barcelona, where a beaded flower installation stirred something profound—a sensory experience that deepened my love for spatial storytelling.
In Birmingham, UK, I studied wire sculpture, crafting expressive animal forms, and spent countless hours handbuilding with clay—practices that continue to inform the textures and forms in my work today.
In my twenties, I worked as an atmospheric scientist, driven by a passion for understanding and protecting the planet. That scientific lens still informs my art, especially in projects that blend activism and political commentary. While at university, I won the Verge Art Award for a video project that fused art and science experiments—an early sign of the hybrid path I would follow.
I studied traditional painting and drawing at Julian Ashton’s Art School, and later expanded into conceptual art and sculpture at Sydney College of the Arts, where I worked with Mikala Dwyer, who encouraged intuitive making.
Since completing art school, I’ve exhibited in Melbourne at Off the Kerb Gallery and Trocadero Art Space, and was selected for the Dear Agnes Project—a funded outdoor installation initiative. I am currently represented by Monat Gallery in Madrid, with recent exhibitions at the gallery and participation in international art fairs including ART3F in Monaco and ART MUC in Munich.
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