Holding a Memory VII
Acrylic, ink on cradled wood panel
40 X 30 X 3 cm
Memory is elusive. Feelings, imaginings, emotions.
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Holding a Memory VI
Acrylic, ink on cradled wood panel
40 X 30 X 3 cm
Memory, intertwined with feeling, imagination, emotion, surprise.
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Holding a Memory V
Acrylic, ink on cradled wood panel
50 X 40 X 3 cm
Memory, feeling, imagination, emotion, all in flow together, always.
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Lanark I
Acylic, ink on cradled wood panel
70 X 70 X 3 cm
One of the first of my latest series, created in May 2025. Lanark is the small Scottish town where I grew up. This series is full of power and subtlety. More to come.
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Lanark IV
Acrylic, ink on cradled wood panel
80 X 80 X 3 cm
One of the first of my latest series, created in May 2025. Lanark is the small Scottish town where I grew up. This series is full of power, and subtlety. More to come.
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Lanark II
Acylic, ink on cradled wood panel
60 X 60 X 3 cm
The second painting in my LANARK series. I created this series for my new summer solo exhibition. And Lanark is the name of the small town in Scotland where i grew up. Abstraction is an amazing language, in my view and in this series I am further refining my minimalistic approach.
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Imperfect as Essential III
Acrylic, ink, on cradled wood panel
40 X 40 X 3 cm
Imperfect as Essential III is part of my growing series. In my studio, paintings reveal themselves. And here we have an example of chaos combined with holding an energy, a dynamic. Imperfection is absolutely essential, in art and elsewhere.
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Imperfect as Essential IV
Acylic, ink on cradled wood panel
40 X 40 X 3 cm
Imperfect as Essential IV is a member of one of my ongoing series. In my studio, paintings reveal themselves. And here we have an example of chaos combined with holding an energy, a dynamic. Imperfection is absolutely essential, in art and elsewhere.
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Imperfect as Essential V
Acylic, ink on cradled wood panel
40 X 40 X 3 cm
Imperfect as Essential V is part of my growing series. In my studio, paintings reveal themselves. And here we have an example of chaos combined with holding an energy, a dynamic. Imperfection is absolutely essential, in art and elsewhere.
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Slowing Fields XXVIII
Acylic, ink on gallery canvas. Sealed, ready to hang.
60 X 50 X 2 cm
The Slowing Fields series continues to grow. Here we have with Slowing Fields XXVIII a fine example of lightness, meditative colour space combined with line, creating (purposefully) a certain dynamic tension.
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Untitled 520
Acylic, ink on cradled wood panel
50 X 40 X 3 cm
Fields of subtle movement, interacting, enhancing, empowering one another. And line adding to the mystery.
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Seeking Something VII
Acylic, ink on cradled wood panel
80 X 80 X 3 cm
One of the largest in my Seeking Something series. A balance has been achieved here between light and dark, between tension and release, between raw and refined.
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Slowing Fields XXVI
Acylic, ink on cradled wood panel
70 X 709 X 3 cm
The Slowing Fields series continues to expand. This is a subject which has no end. Slowing Fields , in terms of what I seek, means "fields of view" which allow, assist, perhaps demand of the viewer, that they slow down and enjoy!
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Untitled 619
Acylic, ink on cradled wood panel
30 X 25 X 3 cm
Untitled 619 allows complete freedom to the viewer. Titles can at times get in the way of the experience. Here is an example where UNTITLED is perhaps best. what do you think?
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Copper & Marble II
Acrylic, sand, ink on gallery canvas
40 X 40 X 2 cm
Finely texture, geometrically minimalistic, strong in presence, that is Copper & Marble II
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Prussian Blue & Line II
Acylic, ink on cradled wood panel
60 X 60 X 3 cm
Prussian blue is an incredibly powerful colour. Here we combine a surface tension with line and form in a manner which results in a painting which looks as if it has always existed.
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Slowing Fields XXV
Acylic, ink on cradled wood panel
50 X 40 X 3 cm
This contemporary abstract painting invites you to slow down, take time, let yourself discover nuances and subtle elements in the forms, hues, spaces, shapes, textures and lines within the painting.
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Slowing Fields V
Acrylic, sand, ink on gallery canvas
60 X 50 X 2 cm
A bold and highly textured abstract painting with a balance between the raw and the refined.
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Untitled 109
Acylic, ink on cradled wood panel
30 X 25 X 3 cm
Discover the freedom for you as the viewer to engage in a bold abstract painting. Perhaps you start an ongoing dialogue. Often, UNTITLED paintings, especially abstract, allow and invite a deeper interaction.
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